An excerpt from Jack London’s The Call of the Wild (Macmillan, 1903), the fictional account of events in the life of the great sled dog Buck who, at this point in the story, ran in the traces of a courier for the Canadian Government, bearing important dispatches:

“…they pulled into Dawson one dreary afternoon… Here were many men, and countless dogs, and Buck found them all at work. It seemed the ordained order of things that dogs should work. All day they swung up and down the main street in long teams, and in the night their jingling bells still went by. They hauled cabin logs and firewood, freighted up to the mines, and did all manner of work that horses did in the Santa Clara Valley. Here and there Buck met Southland dogs, but in the main they were the wild wolf husky breed. Every night, regularly, at nine, at twelve, at three, they lifted a nocturnal song, a weird and eerie chant, in which it was Buck’s delight to join. With the aurora borealis flaming coldly overhead, or the stars leaping in the frost dance, and the land numb and frozen under its pall of snow, this song of the huskies might have been the defiance of life, only it was pitched in minor key, with long-drawn wailings and half-sobs, and was more the pleading of life, the articulate travail of existence.”